There are several curves to choose from: Hue vs Hue, Hue vs Sat, Hue vs Luma, Luma vs Sat, Sat vs Sat, and Orange vs Sat. In the color inspector, we’ll add a Hue/Saturation curve. In the below image, we’ll change the color and saturation of the women’s shirt. Hue and Saturation curves are great for adjusting specific Hues as well as Saturation values in an image. The next new color effect is all about secondary correction-Hue and Saturation Curves. When we use FCP X masks in color correction, we perform secondary color corrections that affect a part of the image, rather than the whole. You can also use FCP X to add shape or color masks. While the color board is not a bad way to interact with a color, it didn’t follow the established color grading paradigms. There were pucks assigned to Highlights, Midtones, and Shadows that you could move up or down to adjust color, saturation, or exposure as needed. Instead of the traditional color wheels, the color board represented the same information in a flat, horizontal field. A big problem with the color board was if you came from Final Cut Pro 7, had a background in photo editing software, or were familiar with professional color correction applications, the color board was quite foreign to you. The color board was initially built into a video clip, and by moving through various panes you could adjust the exposure, saturation and color of an image. Since its inception, Final Cut allowed you to color correct using a tool called the color board. ORANGE vs SAT (or any color you want vs SAT)įinal Cut Pro X has not been a stranger to color grading.
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